Stephan Micus
50 top tracks
Stephan Micus
50 top tracks
Albums

The Garden of Mirrors
Stephan Micus

Desert Poems
Stephan Micus

To the evening child
Stephan Micus

Implosions
Stephan Micus

Towards the Wind
Stephan Micus

Darkness And Light
Stephan Micus

Behind Eleven Deserts
Stephan Micus

Koan
Stephan Micus

Life
Stephan Micus

Athos
Stephan Micus

Listen to the Rain
Stephan Micus

Winter's End
Stephan Micus
Biography
Stephan Micus (born 19 January 1953 in Stuttgart, Germany) is a German musician. Micus made his first journey to the Orient at the age of sixteen. Fascinated by the variety of musical cultures around the world Micus has travelled in virtually every Asian and European country as well as in Africa and the Americas. Studying with local master musicians he learned to play numerous traditional instruments, many of them unknown in the Western world. However <a href="https://www.last.fm/music/Stephan+M...Read more on Last.fm
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Stephan Micus (born 19 January 1953 in Stuttgart, Germany) is a German musician. Micus made his first journey to the Orient at the age of sixteen. Fascinated by the variety of musical cultures around the world Micus has travelled in virtually every Asian and European country as well as in Africa and the Americas. Studying with local master musicians he learned to play numerous traditional instruments, many of them unknown in the Western world. However, Micus's intention is not to play these instruments in a traditional manner, but rather to develop the fresh musical possibilities which he feels are inherent in them. In many of his compositions, which he performs himself, he combines instruments that have never before been played together. The resulting dialogues further reflect his vision of a transcultural music.
In addition to his exclusively acoustic instruments Micus also uses his voice, at times – with multitrack recording techniques – creating whole choral pieces by himself. The words he sings usually do not carry any known meaning. However, on Athos he set to music ancient Greek prayers to the Virgin Mary, on Desert Poems he performed two original poems in English and on Life he has set to music an ancient Japanese Koan.
He has studied a variety of instruments including guitar, concert-flute, sitar in Benares (India), flamenco guitar in Granada (Spain), shakuhachi (Japanese bamboo flute) and sho (Japanese mouth organ) in Kyoto (Japan), suling (Balinese flute) in Ubud (Bali), Uillean pipes in Carna (Ireland), sinding (African harp) in Gambia, dondon (talking drum) in Accra (Ghana), doussn' gouni (African harp) in Bamako (Mali), duduki (Georgian oboe) and Georgian polyphonic choral singing in Tbilisi (Georgia), hné (Burmese oboe) in Yangon and Mandalay (Myanmar), duduk (Armenian oboe) in Yerevan (Armenia), bagana (Ethiopian lyre) in Addis Abeba, nohkan (flute of the noh theatre) in Kyoto (Japan), Bulgarian polyphonic choral singing in Plovdiv (Bulgaria), genbri (bass lute of the gnaoua) in Essaouira (Morocco) and ryuteki (flute of the gagaku orchestra) in Kyoto (Japan).
In search of musical culture and context Micus has travelled extensively, in particular in India, Japan, Indonesia, Korea, Afghanistan, Morocco, Algeria, Tunisia, Thailand, Egypt, Burma, Sri Lanka, Turkey, USA, Canada, Israel, China, Gambia, Senegal, Nepal, Ladakh, Sinkiang, Venezuela, Tanzania, Argentina, Peru, Ghana, Mali, Jordan, Georgia, Ethiopia, Pakistan, Yemen, Cuba, Lebanon, Laos, Vietnam, Cambodia, Uzbekistan, Kyrgyzstan, Cabo Verde, Mauretania, Armenia, Karabagh, Siberia, Mongolia, Namibia. <a href="https://www.last.fm/music/Stephan+Micus">Read more on Last.fm</a>. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
