Satoru Kosaki
50 top tracks
Satoru Kosaki
50 top tracks
Albums
The Disappearance Of Haruhi Suzumiya
Satoru Kosaki
Futakotome & Nisemonogatari Music Collection I
Satoru Kosaki
Nisemonogatari Music Collection II & Atogatari
Satoru Kosaki
Tekken 5 & Tekken Dark Resurrection Original Soundtrack (DISC1 "Tekken 5")
Satoru Kosaki
Platinum Disco & Nisemonogatari Music Collection III
Satoru Kosaki
Tekken 4 Original Sound Tracks (DISC1)
Satoru Kosaki
The Apothecary Diaries (Original Anime Soundtrack)
Satoru Kosaki
Bakemonogatari Music Collection II & Atogatari
Satoru Kosaki
Nisemonogatari Music Collection IV & Atogatari
Satoru Kosaki
Tekken 5 & Tekken Dark Resurrection Original Soundtrack (DISC2 "Tekken Dark Resurrection")
Satoru Kosaki
perfect slumbers & Nekomonogatari (Kuro) Music Collection
Satoru Kosaki
TVアニメ「BEASTARS」オリジナルサウンドトラック
Satoru Kosaki
Biography
Satoru Kousaki (神前暁, Kōsaki Satoru) is a Japanese composer, most well known for composing the background music for the anime "The Melancholy of Haruhi Suzumiya"(涼宮ハルヒの憂鬱) as well as the anime "Lucky☆Star" (らき☆すた) and its opening theme song, Motteke! Sailor Fuku (もってけ！セーラーふく). He has also composed tracks for the video games R:Racing Evolution, Tekken 4, and Tekken 5 among others. He also remixed the track “Black Burn - Electpital Dance -” in the Rockman ZX Tunes album. <a href="https://www.last.f...Read more on Last.fm
Read more
Satoru Kousaki (神前暁, Kōsaki Satoru) is a Japanese composer, most well known for composing the background music for the anime "The Melancholy of Haruhi Suzumiya"(涼宮ハルヒの憂鬱) as well as the anime "Lucky☆Star" (らき☆すた) and its opening theme song, Motteke! Sailor Fuku (もってけ！セーラーふく). He has also composed tracks for the video games R:Racing Evolution, Tekken 4, and Tekken 5 among others. He also remixed the track “Black Burn - Electpital Dance -” in the Rockman ZX Tunes album. <a href="https://www.last.fm/music/Satoru+Kosaki">Read more on Last.fm</a>. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
