Milan Stibilj
50 top tracks
Milan Stibilj
50 top tracks
Albums

Electronic Panorama: Paris, Tokyo, Utrecht, Warszawa
Milan Stibilj

Electronic Panorama
Milan Stibilj

Electronic 2000
Milan Stibilj

Electronic Panorama - UTRECHT
Milan Stibilj

Épervier de ta faiblesse, domine (Sur un poème d'Henri Michaux)
Milan Stibilj

Electronic Panorama: Utrecht
Milan Stibilj

Electronic Panorama disc 2 Utrecht (6526 004)
Milan Stibilj

Electronic Panorama I
Milan Stibilj

Épervier De Ta Faiblesse / Alternances / Signalement
Milan Stibilj

AGP13
Milan Stibilj

Agp 13
Milan Stibilj
![Electronic Panorama (2 of 4) Utrecht (LP) [Prospective 21° Siècle] — cover art by Milan Stibilj](/frogtoon_logo.png)
Electronic Panorama (2 of 4) Utrecht (LP) [Prospective 21° Siècle]
Milan Stibilj
Biography
Milan Stibilj was born in Ljubljana, Yugoslavia, in 1929. Originally a student of psychology, he began to study composition in 1954 with Karol Pahor at the Music Academy of Ljubljana, continuing later with Milko Kelemen in Zagreb, and in the Electronic Studio of the University of Utrecht. During 1967-68 he worked in Berlin under the auspices of the Berliner Künstlerprogramms, and he now lives as freelance composer in Berlin and Ljubljana....Read more on Last.fm
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Milan Stibilj was born in Ljubljana, Yugoslavia, in 1929. Originally a student of psychology, he began to study composition in 1954 with Karol Pahor at the Music Academy of Ljubljana, continuing later with Milko Kelemen in Zagreb, and in the Electronic Studio of the University of Utrecht. During 1967-68 he worked in Berlin under the auspices of the Berliner Künstlerprogramms, and he now lives as freelance composer in Berlin and Ljubljana.
Besides a number of Yugoslavian prizes, he has been awarded the Edison Prize and the Grand Prix du Disque for his recorded work Epervier de ta faiblesse, domine for speaker and percussion.
Milan Stibilj has from the outset employed serial technique, to produce a highly individual sound world. In his more recent pieces he has shown particular interest in expanding and contracting rhythmic structures. Notwithstanding the impression of relative freedom which it makes for the listener, Milan Stibilj’s music uses a system of precise notation in which equilibrium between controlled and free elements is maintained.
from:
Janez Höfler, Introductory note to a concert programme
ISCM FESTIVAL, LONDON 1971
http://www2.arnes.si/finearts/mstibilj.html <a href="https://www.last.fm/music/Milan+Stibilj">Read more on Last.fm</a>. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
