Heinrich Albert
50 top tracks
Heinrich Albert
50 top tracks
Albums

German Baroque Lieder
Heinrich Albert

Lob, Ehr und Preis sei Gott (Die schönsten deutschen Kirchenlieder)
Heinrich Albert

Deutsche Barocklieder
Heinrich Albert

Albert: 8 Duos for Guitars
Heinrich Albert

Festive Hanseatic Music
Heinrich Albert

A Hanseatic Festival - German Renaissance Music
Heinrich Albert

Kaanaanmaa (Feat. John Storgårds)
Heinrich Albert

Suomalainen Virsi (Finnish Hymns), Vol. 2
Heinrich Albert

Music in a Cold Climate: Sounds of Hansa Europe
Heinrich Albert

German Lute Songs
Heinrich Albert

273 Jesus, du mitt hjärtas längtan
Heinrich Albert

Friedens-Seufftzer Und Jubel-Geschrey: Music for the Peace of Westphalia 1648
Heinrich Albert
Biography
Heinrich Albert (July 8, 1604 Bad Lobenstein – October 6, 1651 Königsberg) was a German composer and poet. He began studying music in 1622 with his cousin, the composer and musician Heinrich Schütz, in Dresden. He then went to study law in Leipzig; however, he continued to compose arias. In 1627 he set out for Warsaw with some Dutch diplomats, but they were taken prisoner by the Swedes, and he was held for a year. When he returned in 1628, he was involved in "the science of fortification". <a hr...Read more on Last.fm
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Heinrich Albert (July 8, 1604 Bad Lobenstein – October 6, 1651 Königsberg) was a German composer and poet. He began studying music in 1622 with his cousin, the composer and musician Heinrich Schütz, in Dresden. He then went to study law in Leipzig; however, he continued to compose arias. In 1627 he set out for Warsaw with some Dutch diplomats, but they were taken prisoner by the Swedes, and he was held for a year. When he returned in 1628, he was involved in "the science of fortification". By 1630 he had returned to being a musician in Königsberg, and in 1643 he renewed contact with Schütz.[1]
His most important works are probably the 170 songs published in his Arien in eight volumes. They include detailed dedications which give important information on daily life in Königsberg. He set both his own poetry and that of Simon Dach. His songs were very popular, and at least 25 of them became chorale tunes. The prefaces to his works are also valuable sources for information on the playing of basso continuo and performance practice of the songs included. One comment he made was that one should not play continuo "like hacking a cabbage".[1]
<a href="https://www.last.fm/music/Heinrich+Albert">Read more on Last.fm</a>. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
