Gregorio Lambranzi was an Italian dancing master, choreographer, and ballet master active in the early eighteenth century, most securely visible to history through a single, remarkable publication of 1716. Described in reference works as a Venetian figure, he is chiefly known for the bilingual Italian–German treatise issued in Nuremberg, Nuova e curiosa scuola de’ balli theatrali / Neue und curieuse theatralische Tantz-Schul, a lavishly illustrated compendium devoted not to courtly ballroom practice but to theatrical dance—especially character, comic, and grotesque modes associated with stage culture in his time. The book’s value lies in the way it preserves the look and dramaturgy of performance: it presents a large gallery of staged dances and figures, pairing vivid images with succinct practical directions that invite re-creation rather than supplying a fully fixed notation system. In modern reception Lambranzi’s name therefore stands less for an individually traceable career—his precise life dates remain elusive—than for a unique window onto the theatrical dance imagination of the early 1700s, one that continues to inform both scholarship and historically oriented performance projects that reconstruct or recompose “Lambranzi dances” for present-day audiences. Modern recordings sometimes present suites or selections labelled as dances “from” Lambranzi’s 1716 collection, typically as arrangements or reconstructions for instrumental ensembles. A recent documentary example is the 2025 recording grouping on Apple Music Classical credited to Gregorio Lambranzi’s Danze da Nuova e curiosa scuola de’ balli theatrali, and Harmonia Mundi documentation likewise treats excerpts from the 1716 collection as a performance source for contemporary projects. <a href="https://www.last.fm/music/Gregorio+Lambranzi">Read more on Last.fm</a>. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.