Geraldine Farrar
50 top tracks
Geraldine Farrar
50 top tracks
Albums

Geraldine Farrar II
Geraldine Farrar

The Record of Singing 1899-1952
Geraldine Farrar

Hung - Music From Season 1
Geraldine Farrar

The Definitive Collection of the 19th Century's Greatest Virtuosos: Female Singers 2 (pre-1915 Vintage Record)
Geraldine Farrar

Scott's Music Box: Music From Terra Nova - The British Antarctic Expedition (1910-1913)
Geraldine Farrar

Great Opera Singers - Anthology of Vintage Opera Recordings, Volume 1
Geraldine Farrar

Highlights from Prima Voce
Geraldine Farrar

Great Voices Of Opera
Geraldine Farrar

Farrar in French Opera
Geraldine Farrar

Vintage Voice: 60 Songs by the Greatest Opera Singers of All Time Including Enrico Caruso, Dietrich Fischer-Dieskau, Leontyne Price, Jan Peerce, Elisabeth Schwarzkopf, Marian Anderson, Renata Tebaldi, Alma Gluck, & More
Geraldine Farrar

The Met's First Butterfly
Geraldine Farrar

Farrar In Italian Opera
Geraldine Farrar
Biography
Geraldine Farrar (February 28, 1882 – March 11, 1967) was a soprano opera singer and film actress. She had a large following among young women, who were nicknamed "Gerry-flappers"....Read more on Last.fm
Read more
Geraldine Farrar (February 28, 1882 – March 11, 1967) was a soprano opera singer and film actress. She had a large following among young women, who were nicknamed "Gerry-flappers".
Farrar was born in Melrose, Massachusetts, the daughter of Sidney Farrar and his wife Henrietta Barnes. She studied voice in Boston, New York, Paris, and finally in Berlin, with famed soprano Lilli Lehmann. (She had been recommended to Lehmann by another famous soprano of the previous generation, Lillian Nordica.) Farrar created a sensation in the German capital with her debut as Marguerite in Charles Gounod's Faust in 1901. She appeared subsequently in the title rôles of Ambroise Thomas' Mignon and Jules Massenet's Manon, as well as Juliette in Gounod's Roméo et Juliette. Her admirers Berlin included Crown Prince Wilhelm of Germany, with whom she is believed to have had a relationship beginning in 1903.
After appearing at Monte Carlo, she made her debut at the New York Metropolitan Opera in Romeo et Juliette in 1906. She appeared in the first Met performance of Giacomo Puccini's Madama Butterfly in 1907 and remained a member of the company until her retirement in 1922, singing 29 roles there in nearly 500 performances. She developed a great popular following, especially among New York's young female opera-goers, who were known as 'Gerry-flappers'.
Farrar created the title roles in Pietro Mascagni's Amica (Monte Carlo, 1905), Puccini's Suor Angelica (New York, 1918), and Umberto Giordano's Madame Sans-Gêne (New York, 1915) as well as the Goosegirl in Engelbert Humperdinck's Die Königskinder (New York, 1910)
She recorded extensively for the Victor Talking Machine Company and was often featured prominently in that firm's advertisements. She also appeared in silent movies, which were filmed between opera seasons. Farrar starred in more than a dozen films from 1915 to 1920, including Cecil B. De Mille's 1915 adaptation of Georges Bizet's opera Carmen. One of her most notable screen role was as Joan of Arc in the 1917 film Joan the Woman.
<a href="https://www.last.fm/music/Geraldine+Farrar">Read more on Last.fm</a>. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
