Personnel: Tom Djll-trumpet, preparations, electronics Matt Ingalls-clarinet, bass clarinet John Shiurba-electric guitar Matthieu Werchowski-violin, viola Theresa Wong-cello David Chiesa-double bass Tim Perkis-electronics Gino Robair-energised surfaces & voltage made audible "Grosse Abfahrt is a project I started to explore a number of problems in freely improvised music. The first and most obvious of these is the problem of ensemble size, which I wanted to tackle head-on: GA ensembles are always of eight to ten players. This range seems to settle in a locale where there is a strong opportunity for individual sound-agents to emerge and make a statement against the ensemble backdrop, and also for the entire ensemble to cohere into long-form structures that transcend the productions of conventional improvised-music sociality (another problem addressed). How these ensembles are collected takes up another problem: that of the conflict between fluency and comfort among improvising compadres. Fluency between players' languages and approaches is desirable, of course; however, it can lead to complacency. Grosse Abfahrt is made up of a core group of five players which does not vary. These people are all very familiar with each other's strengths, preferences, and foibles, yet they do not play as a quintet (well, on one occasion we did). To this core I add musicians who have not played with any of the core members. Often, these outsiders come from far away, and are playing as duos or trios already, so they arrive with some comfort and fluency in their own musical relationship. How these two dynamics come together to create music, with practically no introduction (much less, rehearsal), is our practice. For the present realisation, I added one more player (Theresa Wong) whose instrument was of the same family as the outsiders. Being a local, she was to perform as a kind of 'bridge' between the instrumental sounds of the Werchowski-Chiesa duo on the one hand, and the social identity of the core quintet. The Werchowski-Chiesa duo played a sensitive and soulful opening set, the second half of which is presented here as HANG BAT5 OVER. With Theresa on cello, the three chamber strings formed a molten core to this Grosse Abfahrt. The music seemed to assemble itself into short pieces much of the time, although the evening featured a couple of longer discursions in the traditional Grosse Abfahrt style."-Tom Djll <a href="https://www.last.fm/music/Grosse+Abfahrt">Read more on Last.fm</a>. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.