Diogenio Bigaglia
50 top tracks
Diogenio Bigaglia
50 top tracks
Albums

CORELLI / VERACINI / SAMMARTINI: Baroque Music for Recorder
Diogenio Bigaglia

Diogenio Bigaglia: Miserere / Missa in F (Antonio Lotti: Credo in F)
Diogenio Bigaglia

Bigaglia: VII Sonate per flauto dolce e basso continuo
Diogenio Bigaglia

Concerti veneziani per oboe
Diogenio Bigaglia

I Dilettanti
Diogenio Bigaglia

Bigaglia: Miserere, Missa in F Major & Credo in F Major
Diogenio Bigaglia

Corelli/Veracini/Sammartini: Baroque Music For Recorder
Diogenio Bigaglia

The Art Of The Recorder
Diogenio Bigaglia

Vivaldi/Corelli/Marcello &c: Recorder Sonatas
Diogenio Bigaglia

Bigaglia: 12 Violin Sonatas, Op. 1
Diogenio Bigaglia

VII Sonate per Flauto Dolce
Diogenio Bigaglia

The Art of the Recorder (4 CDs)
Diogenio Bigaglia
Biography
Diogenio Bigaglia (b Venice, c1676; d Venice, c1745), born in Murano (Venice), was a Benedictine monk at St. George Abbey in Venice. He composed twelve sonatas for recorder and thorough bass printed from Le Céne, Amsterdam, 1722. Other hand-written works, partly lost, as Masses with a large vocal and instrumental organic, three oratorios, one entitled Giaele, performed for the election of Pietro Dandolo as "Doge" in 1730, psalms, Mottetto and sacred and secular cantatas <a href="https://www.last...Read more on Last.fm
Read more
Diogenio Bigaglia (b Venice, c1676; d Venice, c1745), born in Murano (Venice), was a Benedictine monk at St. George Abbey in Venice. He composed twelve sonatas for recorder and thorough bass printed from Le Céne, Amsterdam, 1722. Other hand-written works, partly lost, as Masses with a large vocal and instrumental organic, three oratorios, one entitled Giaele, performed for the election of Pietro Dandolo as "Doge" in 1730, psalms, Mottetto and sacred and secular cantatas, three triosonatas for two flutes and thorough bass and other works as “concerti grossi” and for harpsichord. Bigaglia's writing belongs to the sonata period begun by Corelli and developed by Vivaldi and Veracini: his sonatas show a deep study of Corelli together with the example of Vivaldi, Marcello and Albinoni, very important in venetian musical life of Bigaglia's time. The "XII sonate per violino osia Flauto... "are sure compositions for recorder because "flauto" in Italy then meant recorder and for their writing. This work can be compared with full respect to the collections for the same instruments of Bellinzani, Marcello and Veracini. We do not know Bigaglia's education and training, but his quick movements are modelled on Corelli and Vivaldi. <a href="https://www.last.fm/music/Diogenio+Bigaglia">Read more on Last.fm</a>. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
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